Music on the Run

Festival: In-Edit Brasil 2023

Resenha: Murder in The Front Row, de Adam Dubin

Resenha: Rock Camp - The Movie, de Douglas Blush e Renee Barron

Resenha: a-ha - The Movie, de Thomas Robsahm e Aslaug Holm

Resenha: A Música Natureza de Léa Freire, de Lucas Weglinsk

Resenha: Getting It Back - The Story Of Cymande, de Tim Mackenzie-Smith

Resenha: Other, Like Me - The Oral History of COUM Transmissions and Throbbing Gristle, de Marcus Werner Hed e Dan Fox

Resenha: Manguebit, de Jura Capela

Resenha: No Ordinary Man, de Aisling Chin-Yee e Chase Joy

Resenha: Studio 17 - The Lost Reggae Tapes, de Mark James

Resenha: Delia Derbyshire - The Myths and the Legendary Tapes, de Caroline Catz

Resenha: Anonymous Club, de Danny Cohen

Festival: In-Edit Brasil 2022

Documentário sobre Sinéad O’Connor abre In-Edit Brasil

Com câncer avançado, Ryuichi Sakamoto espera fazer música "até o meu último momento"

Resenha: American Rapstar, de Justin Staple

Playlist: documentários internacionais exibidos no In-Edit Brasil 2021

Resenha: Crock of Gold - A Few Rounds with Shane MacGowan, de Julien Temple

Resenha: Fanny - The Right to Rock, de Bobbi Jo Hart

Resenha: Phil Lynott - Songs For While I'm Away, de Emer Reynolds